The diameters suggested here were the norm for violin setup between the Mid-Eighteenth and the end of the Nineteenth century, as indicated by the rich documentation of that time. In particular, the gauges in normal tension are the same we measured in April 2002, which belonged to Nicolò Paganini. The gut strings suggested in these sets are made of unsplit lamb gut type HU which have a surface only partially smoothed to imitate the old hand smoothing system. Through this method the quantity of damaged surface fibre is considerably reduced compared to the rectified strings made according to today procedure. The advantages consist of greater stability at climatic changes, longer life of the string, better acoustic performance. The fourth string is made according to the directions reported by F. Galeazzi (Rome 1792) and Louis Sphor (1832).

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The diameters suggested reproduce the medium ones deduced from historical sources dating back to Eighteenth – Nineteenth century. The examination of documents of that time made it possible to ascertain that the viola used the same gauges of the violin omitting the treble ‘E’ and adding a wound string ‘C. The gut strings suggested in these sets are made of unsplit lamb gut HU type: they have a surface only partially smoothed to imitate old hand smoothing system. Through this method the quantity of damaged surface fibre is considerably reduced compared to the rectified strings made according to today procedure. The advantages consist of greater stability to climatic changes, longer life of the string, better acoustic performance. The third and fourth strings are made according to the directions reported by F. Galeazzi (Rome 1792)

To learn more read our F.A.Q.

The diameters suggested reproduce the medium ones deduced from historical sources dating back to Eighteenth – Nineteenth century. The gut strings suggested in these sets are made of unsplit lamb gut HU type: they have a surface only partially smoothed to imitate the old hand smoothing system. Through this method the quantity of damaged surface fibre is considerably reduced compared to the rectified strings made according to today procedure. The advantages consist of greater stability to climatic changes, longer life of the string, better acoustic performance. The third and fourth wound strings are made according to criterion of Eighteenth- Nineteenth century.