Our direction is discovering new sounds

Curious to hear yourself what is the difference between our classical guitar sets?
On this page you can listen to the same opera played by the same guitarist using all our sets.

Composer: Sylvius Leopold Weiss 1687-1750
Opera: Ouverture (excerpt)
Musician: Alberto Rassu
Guitar: F.lli Lodi

The recordings were made with Zoom h2n without editing or post production.

Sound characteristics

The sets below are ordered by decreasing brillance of sound

SUGAR FOR CLASSICAL GUITAR

Bright sound similar to Fluorocarbon but at the same time highly performing in vibrato, with great timbrical variation responding to variations of the right hand, and surprising sustain

Sustain
Brightness
Promptness
Singability

RUBINO

The brightest and sharpest sound ever, superior to Fluorocarbon, sharp and clear promptness on sound attack, good timbre modulation

Sostegno
Brightness
Promptness
Singability

ALCHEMIA

bright sound similar to Fluorocarbon but at the same time highly performing in vibrato, great timbrical variation responding to variations of the right hand, surprising sustain

Sustain
Brightness
Promptness
Singability

ZAFFIRO

Medium brightness and at the same time rich sound, allowing fair expressiveness

Sustain
Brightness
Promptness
Singability

ALABASTRO

Excellent performance qualities similar to gut strings, with a better brightness than nylon but not as much as fluorocarbon, excellent sound attack

Sustain
Brightness
Promptness
Singability

AMBRA 2000

The highest level of nuances and expressiveness on vibrato, excellent bright attack but never excessive, round and rich basses

Sustain
Brightness
Promptness
Singability

CRISTALLO

Fairly brilliant tone, superior than the average tone of nylon, prompt and expressive sound, excellent vibrato

Sustain
Brightness
Promptness
Singability

PERLA

Warm and mellow sound, round and rich tone, good expressiveness and sweetness of sound that make them an ideal choice to fill the concert hall

Sustain
Brightness
Promptness
Singability

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